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Showing posts with label Historical. Show all posts
Showing posts with label Historical. Show all posts

Friday, March 25, 2011

A Classic: The Apollo Theater...

The Apollo Theater is one of the most famous clubs for popular music in the United States, and certainly the most famous club associated almost exclusively with African-American performers.

Located at 253 W. 125th Street in Harlem, the best-known black neighborhood in New York City and probably the country, the Apollo grew to prominence during the Harlem Renaissance of the pre-World War II years. In 1934, it introduced its regular Amateur Night shows.


Billing itself as a place "where stars are born and legends are made," the Apollo became famous for launching the careers of artists like Ella Fitzgerald, James Brown, Gladys Knight, Michael Jackson and The Jackson 5, Lauryn Hill, and Sarah Vaughan.

The club fell into decline in the 1960s and 1970s, but was revived in 1983, when it obtained federal, state and city landmark status. It fully reopened in 1985, and was bought by the State of New York in 1991.

It is now run by a nonprofit organization, the Apollo Theater Foundation Inc., and draws an estimated 1.3 million visitors annually. It is the home of It's Showtime at the Apollo, a nationally syndicated variety show consisting of new talent. Posted by Picasa

Wednesday, February 23, 2011

History of Playboy...

So it is a cool company and the story is pretty cool. Here are some facts you might like to know...

Playboy, first published in 1953, is the world's best-selling men's monthly magazine, and launched one of the world's most successful entertainment empires. Almost 10 million American adults read Playboy every month, and the magazine's U.S. total paid circulation of 3 million is larger than that of Esquire, GQ and Rolling Stone combined.

Fast Facts:

- The first issue, published in December 1953, did not carry a date, as Hefner was unsure whether there would be a second edition
- The first centerfold was Marilyn Monroe, from a picture originally taken for a calendar.
- The first issue was an immediate sensation; it sold out within a matter of weeks.
- Known circulation was 53,991.
- The cover price was 50¢, the same issue in near mint condition is worth about $5,000 today.
- The famous logo, depicting the stylized profile of a rabbit wearing a tuxedo bow tie, was designed by art designer Art Paul for the magazine's second issue and has appeared on every issue since.
- A long running tradition involves hiding the logo somewhere in the cover art or photograph.
- Hefner said that he chose the rabbit as a mascot for its "humorous sexual connotation", and because the image was "frisky and playful".

Anyway - pretty cool company and cool story.

Wednesday, January 19, 2011

Playboy's January 1965 Interview With Martin Luther King, Jr.

"Measures must be taken at the federal level to curb the reign of terror in the South. It's getting so anybody can kill a Negro and get away with it, as long as they go through the motions of a trial."

Playboy Magazine - January 1965 | MARTIN LUTHER KING
a candid conversation with the nobel prize-winning leader of the civil rights movement
By Alex Haley

On December 5, 1955, to the amused annoyance of the white citizens of Montgomery, Alabama, an obscure young Baptist minister named Martin Luther King, Jr., called a city-wide Negro boycott of its segregated bus system. To their consternation, however, it was almost 100 percent successful; it lasted for 381 days and nearly bankrupted the bus line. When King's home was bombed during the siege, thousands of enraged Negroes were ready to riot, but the soft-spoken clergyman prevailed on them to channel their anger into nonviolent protest -- and became world-renowned as a champion of Gandhi's philosophy of passive resistance. Within a year the Supreme Court had ruled Jim Crow seating unlawful on Montgomery's buses, and King found himself, at 27, on the front lines of a nonviolent Negro revolution against racial injustice.

Moving to Atlanta, he formed the Southern Christian Leadership Conference, an alliance of church-affiliated civil rights organizations which joined such activist groups as CORE and SNCC in a widening campaign of sit-in demonstrations and freedom rides throughout the South. Dissatisfied with the slow pace of the protest movement, King decided to create a crisis in 1963 that would "dramatize the Negro plight and galvanize the national conscience." He was abundantly successful, for his mass nonviolent demonstration in arch-segregationist Birmingham resulted in the arrest of more than 3300 Negroes, including King himself; and millions were outraged by front-page pictures of Negro demonstrators being brutalized by the billy sticks, police dogs and fire hoses of police chief Bull Connor.

In the months that followed, mass sit-ins and demonstrations erupted in 800 Southern cities; President Kennedy proposed a Civil Rights Bill aimed at the enforcement of voting rights, equal employment opportunities, and the desegregation of public facilities; and the now-famous march on Washington, 200,000 strong, was eloquently addressed by King on the steps of the Lincoln Memorial. By the end of that "long hot summer," America's Negroes had won more tangible gains than in any year since 1865 -- and Martin Luther King had become their acknowledged leader and most respected spokesman.

He earned it the hard way: In the course of his civil rights work he has been jailed 14 times and stabbed once in the chest; his home has been bombed three times; and his daily mail brings a steady flow of death threats and obscenities. Undeterred, he works 20 hours a day, travels 325,000 miles and makes 450 speeches a year throughout the country on behalf of the Negro cause. Inundated by calls, callers and correspondence at his S.C.L.C. office in Atlanta, he also finds time somehow to preach, visit the sick and help the poor among his congregation at the city's Ebenezer Baptist Church, of which he and his father are the pastors.

So heavy, in fact, were his commitments when we called him last summer for an interview, that two months elapsed before he was able to accept our request for an appointment. We kept it -- only to spend a week in Atlanta waiting vainly for him to find a moment for more than an apology and a hurried handshake. A bit less pressed when we returned for a second visit, King was finally able to sandwich in a series of hour and half-hour conversations with us among the other demands of a grueling week. The resultant interview is the longest he has ever granted to any publication.

Though he spoke with heartfelt and often eloquent sincerity, his tone was one of businesslike detachment. And his mood, except for one or two flickering smiles of irony, was gravely serious -- never more so than the moment, during a rare evening with his family on our first night in town, when his four children chided him affectionately for "not being home enough." After dinner, we began the interview on this personal note.

PLAYBOY: Dr. King, are your children old enough to be aware of the issues at stake in the civil rights movement, and of your role in it?

MARTIN LUTHER KING: Yes, they are -- especially my oldest child, Yolanda. Two years ago, I remember, I returned home after serving one of my terms in the Albany, Georgia, jail, and she asked me, "Daddy, why do you have to go to jail so much?" I told her that I was involved in a struggle to make conditions better for the colored people, and thus for all people. I explained that because things are as they are, someone has to take a stand, that it is necessary for someone to go to jail, because many Southern officials seek to maintain the barriers that have historically been erected to exclude the colored people. I tried to make her understand that someone had to do this to make the world better--for all children. She was only six at that time, but she was already aware of segregation because of an experience that we had had.

PLAYBOY: Would you mind telling us about it?

MARTIN LUTHER KING: Not at all. The family often used to ride with me to the Atlanta airport, and on our way, we always passed Funtown, a sort of miniature Disneyland with mechanical rides and that sort of thing. Yolanda would inevitably say, "I want to go to Funtown," and I would always evade a direct reply. I really didn't know how to explain to her why she couldn't go. Then one day at home, she ran downstairs exclaiming that a TV commercial was urging people to come to Funtown. Then my wife and I had to sit down with her between us and try to explain it. I have won some applause as a speaker, but my tongue twisted and my speech stammered seeking to explain to my six-year-old daughter why the public invitation on television didn't include her, and others like her. One of the most painful experiences I have ever faced was to see her tears when I told her that Funtown was closed to colored children, for I realized that at that moment the first dark cloud of inferiority had floated into her little mental sky, that at that moment her personality had begun to warp with that first unconscious bitterness toward white people. It was the first time that prejudice based upon skin color had been explained to her. But it was of paramount importance to me that she not grow up bitter. So I told her that although many white people were against her going to Funtown, there were many others who did want colored children to go. It helped somewhat. Pleasantly, word came to me later that Funtown had quietly desegregated, so I took Yolanda. A number of white persons there asked, "Aren't you Dr. King, and isn't this your daughter?" I said we were, and she heard them say how glad they were to see us there.

PLAYBOY: As one who grew up in the economically comfortable, socially insulated environment of a middle-income home in Atlanta, can you recall when it was that you yourself first became painfully and personally aware of racial prejudice?

MARTIN LUTHER KING: Very clearly. When I was 14, I had traveled from Atlanta to Dublin, Georgia, with a dear teacher of mine, Mrs. Bradley; she's dead now. I had participated there in an oratorical contest sponsored by the Negro Elks. It turned out to be a memorable day, for I had succeeded in winning the contest. My subject, I recall, ironically enough, was "The Negro and the Constitution." Anyway, that night, Mrs. Bradley and I were on a bus returning to Atlanta, and at a small town along the way, some white passengers boarded the bus, and the white driver ordered us to get up and give the whites our seats. We didn't move quickly enough to suit him, so he began cursing us, calling us "black sons of bitches." I intended to stay right in that seat, but Mrs. Bradley finally urged me up, saying we had to obey the law. And so we stood up in the aisle for the 90 miles to Atlanta. That night will never leave my memory. It was the angriest I have ever been in my life.

PLAYBOY: Wasn't it another such incident on a bus, years later, that thrust you into your present role as a civil rights leader?

MARTIN LUTHER KING: Yes, it was -- in Montgomery, Alabama, in 1955. E.D. Nixon, a Pullman porter long identified with the NAACP, telephoned me late one night to tell me that Mrs. Rosa Parks had been arrested around seven-thirty that evening when a bus driver demanded that she give up her seat, and she refused -- because her feet hurt. Nixon had already bonded Mrs. Parks out of prison. He said, "It's time this stops; we ought to boycott the buses." I agreed and said, "Now." The next night we called a meeting of Negro community leaders to discuss it, and on Saturday and Sunday we appealed to the Negro community, with leaflets and from the pulpits, to boycott the buses on Monday. We had in mind a one-day boycott, and we were banking on 60-percent success. But the boycott saw instantaneous 99-percent success. We were so pleasantly surprised and impressed that we continued, and for the next 381 days the boycott of Montgomery's buses by Negroes was 99 9/10 successful.

Read the rest of the interview on Playboy Magazine Website

Friday, September 24, 2010

Amazing Photography of The Bomb Testing

These guys really are dedicated to their art.   Anyone that would stand that close to an atomic bomb, or any bomb for that matter, are either crazy or love their jobs.

Though I could see the excitement of being involved in something like this, and though I love taking photos of interesting things, I just can't see ever being open to standing this close to a bomb that is being set off by the government.

You can see more of these photos at the Professional Photography Blog





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